so fast so quietly

we are tearing the black sheet
of the land with our headlights.
traveling this fast should make
more noise. how are we allowed
to escape so fast so quietly?
it is my favorite way to feel good.
the music must be playing it’s always
playing in moments like this but
i rarely remember. it’s just sound
until it isn’t — then it’s a song an old
lover used to sing or one the new
love sings and suddenly i miss
feeling lonely. i want to wake up
back seat of the car / gas station
parking lot / marveling about how
cold the desert gets at night.
maybe what i really miss: being allowed
to feel lonely. i am tired
of knowing who makes me coffee,
tired of forgetting to water plants only
long enough to keep them teetering
on the edge of death. i wish i was less
reliable. sometimes i wish i was the girl
you fucked instead of loving me. she got you
for one splendid minute and now can wake up
anywhere. she has never folded
your laundry or made a pbj when too drunk
to hold even a butter knife. that’s really
what this is about — this stupid thing
i remember into existence every morning.
one day i want to feel okay standing still,
in a small space i can’t leave. why does
this city feel like a box? i wish at least
it was the inside of a suitcase. the space within
the headlights shrinks. i turn on the high
beams and decide to starve the houseplants.

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(10/13/18)

what do i say except for falling
asleep with your arms around
my head like a basketball
is the greatest thing i have ever
gotten to know. the weight of
your arms is too much,
your chest puts my breathing
at half strength and i can’t
turn or scratch or move anything
without waking you and it will
always be worth it.

the last sad poem

i wish now i had written you
more love poems. i wish i hadn’t
written us as drowning when
we weren’t, wish i hadn’t written
the fear into domesticity so soon.
i wish i had always chosen to be gentle.
now, we are all wish. maybe we have
always been that, all each other’s
almost-what-i-want’s. i keep
referring to us in the past tense.
i try to convince myself the unconscious
doesn’t know anything. it is not
a meaningful slip. these little lies
are okay but they seem to grow
on their own. once i nearly convinced
myself you aren’t leaving. it was
only a second but it felt so good.
what pieces do i get to keep?
the way you and the dog sleep
with your bodies curled the same.
how you push up your glasses
with your middle finger like they might slide
off your nose and keep
sliding. the angle of your mouth
when you are disappointed, the little
shake of your head. how tight
your curls get when they’re dirty.
once when we stood in front
of art we both probably thought
was stupid and i wanted you
to keep me like a quarter under
your tongue—the secret is
worth the most. it used to be hard
to tell what it is that i love: knowing
there will be a body in the bed
each morning, or that it is only
ever your body. maybe it has just
become too hard to imagine
anyone else. these little lies pile
up like spare change.