coming home

when he says he’s coming home
after a month in another state
doing what is promised necessity,
it feels like the end of a good book.
i have grown used to leftovers, to
the full width of the bed, constant
music over the good speakers.
there are two dogs and I have two
hands. the dishes are always done.

sure, there have been small
lonlinesses. once i realized I hadn’t
spoken aloud the entire day.
another time the old dog was sick
and i was alone with the fear so big
it took up the whole couch. i stood
or walked for two days until
the dog kept down dinner again.

i do what i should to ready
myself: i bake a pie he likes
or has significance, i vacuum
twice and darken the duster.
i know he won’t want it,
will mourn the death of the dust
mites and leave his plate
on the table just so it feels
like his home, too. i will resent

his little rebellions and dream myself,
as though mid snow-angel,
spread wide and happy.

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day 7

friends sit around after dinner and bash suburbia — who could ever
want that life? what a useless end because that’s it: an end. a place
to fill until. a way to keep you grounded another way to say rooted all
words for stillness. there is a reason we don’t grow into the dirt. we are
born into movement. i am quiet. what i want to say is yes, cheap plastic
paneling and too short grass may not be the pinnacle of human existence
but have you ever been in love like this? the friends talk about how
they will change something, how waving your arms and making noise
are the ways to leave a mark. change or build or take down institutions.
what i want to say is the place i can make a difference has its head
on my chest. i am building this love every day and it’s the most beautiful
architecture. the windows are always full of sun. there are peaches
in the sink. this is juice on your cheeks. all i want is to have enough
to buy our kids raspberries. and to save a couple for you.

so fast so quietly

we are tearing the black sheet
of the land with our headlights.
traveling this fast should make
more noise. how are we allowed
to escape so fast so quietly?
it is my favorite way to feel good.
the music must be playing it’s always
playing in moments like this but
i rarely remember. it’s just sound
until it isn’t — then it’s a song an old
lover used to sing or one the new
love sings and suddenly i miss
feeling lonely. i want to wake up
back seat of the car / gas station
parking lot / marveling about how
cold the desert gets at night.
maybe what i really miss: being allowed
to feel lonely. i am tired
of knowing who makes me coffee,
tired of forgetting to water plants only
long enough to keep them teetering
on the edge of death. i wish i was less
reliable. sometimes i wish i was the girl
you fucked instead of loving me. she got you
for one splendid minute and now can wake up
anywhere. she has never folded
your laundry or made a pbj when too drunk
to hold even a butter knife. that’s really
what this is about — this stupid thing
i remember into existence every morning.
one day i want to feel okay standing still,
in a small space i can’t leave. why does
this city feel like a box? i wish at least
it was the inside of a suitcase. the space within
the headlights shrinks. i turn on the high
beams and decide to starve the houseplants.

the last sad poem

i wish now i had written you
more love poems. i wish i hadn’t
written us as drowning when
we weren’t, wish i hadn’t written
the fear into domesticity so soon.
i wish i had always chosen to be gentle.
now, we are all wish. maybe we have
always been that, all each other’s
almost-what-i-want’s. i keep
referring to us in the past tense.
i try to convince myself the unconscious
doesn’t know anything. it is not
a meaningful slip. these little lies
are okay but they seem to grow
on their own. once i nearly convinced
myself you aren’t leaving. it was
only a second but it felt so good.
what pieces do i get to keep?
the way you and the dog sleep
with your bodies curled the same.
how you push up your glasses
with your middle finger like they might slide
off your nose and keep
sliding. the angle of your mouth
when you are disappointed, the little
shake of your head. how tight
your curls get when they’re dirty.
once when we stood in front
of art we both probably thought
was stupid and i wanted you
to keep me like a quarter under
your tongue—the secret is
worth the most. it used to be hard
to tell what it is that i love: knowing
there will be a body in the bed
each morning, or that it is only
ever your body. maybe it has just
become too hard to imagine
anyone else. these little lies pile
up like spare change.

9/25/18

this is the best i have ever been
at loving anything. it has always
been a problem of too’s: too much
want for one body, too little focus.
but this, finally-equilibrium. to teach
children to stand one-legged, say:
pick a point in the distance, don’t
move your eyes. it was never not
knowing this trick it was just always
too hard to pick only one point.

9/17/18

things that were once hard to love
have become precious with the threat
of absence. it is so hard not to be afraid.
what parts of you have already begun
to grow distant? i am scared to sit even
on the other side of the table. i wash
your forks and love you. i put your shoes
in a row by the door and love you.
i touch my mouth to your side of the bed
and try to imagine it as just the other
side. this is a helplessness i don’t know
what to do with. you are drunk and talking
so loudly, clearly in your sleep it sounds
like a wedding toast. i put your liquor
hands over my face and love you, still.